The artistic image of Virgin and Child with the Young Saint John the Baptist was crafted by an Italian artist Antonio Allegri Correggio in 1515. Correggio was born in 1489 and died in 1534 and mainly focused on Renaissance art. The artistic work presents a beautiful woman with an enigmatic smile, golden hair, and conspicuous clothing. Beside the Virgin’s hand are two healthy babies with golden hair, each starring at each other. The art also highlights an immediate landscape and another in space. The artist employs various elements such as color, line, light, texture, space, and forms to impress the art. However, the dominant feature is pictorial space and color, making the art conspicuous and understandable. The artist uses space and colors to capture a family moment and the beauty of nature.
The art shows a flat surface crafted to create an illusion of a three-dimensional figure. An observer can track overlapping figurative forms and natural forms in horizontal bands that move back in space. The image shows four primary horizontal divisions, one occupied with the Virgin and the babies, the second one with grass and tree, and the third band contains mountains, trees, and a lake. The fourth band is occupied by clouds, which create an atmospheric perspective of space. The objects in space are pale and less vivid, furthering the illusion of space. The mother takes on a pyramid shape showing stability in holding the children and slightly in front of the kids. The Virgin and the babies occupy most of the picture and are boldly painted compared to other objects in space. The people’s linear perspective obscures the observer and introduces him/her to space in the background. Additionally, the mother and babies are framed vertically by the nearest tree to the right and a distant landscape to the left, which brings out the aspect of space.
The artist’s bright color choice strikes an observer and creates a positive tone of the art environment. The work primarily uses red, blue, green, and brown colors to enhance the picture’s gorgeousness. The mixture of colors worn by the Virgin captures the observer’s attention and leads to the interpretation of parental warmth, beauty, and a happy moment. The naked babies’ white skin color contrasts with the mother’s garment, which makes the viewer savor the art attractiveness. The family’s skin is drawn with a smooth texture and the natural forms with a rough surface simplifying the observer’s work of comparison. Moreover, the artist alternates colors in different horizontal spaces to create contrast and simultaneously matches some colors in the space to create a uniform pattern (Gale). For instance, the Virgin and children are separated by a brown color of the field, and the distant green and blue color of the landscape matches with Virgin’s clothing. The painting also has a bright color of the day that aids in .glowing the skin and shadowing some body parts.
Correggio’s painting successfully captures a classic moment of intimacy between a mother and siblings through the application of space and color. The choice of color creates a happy mood and increases the warmth of the smile. Observers also notice the affection of eyes in the picture through the artist’s appropriate choice of color. Space entails a stunning view of a lake, mountain, sky, field, and trees, all of which work towards enhancing the painting’s beauty. The art shows the essence of maternal care and the need to maintain the environment.
Virgin and Child with the Young Saint John the Baptist
Artist:Correggio (Antonio Allegri)
ART INSTIVATE CHICAGO. “Virgin and Child with the Young Saint John the Baptist.” The Art Institute of Chicago, www.artic.edu/artworks/23972/virgin-and-child-with-the-young-saint-john-the-baptist.
Gale, Amiria. “How to Analyze an Artwork: a Step-by-step Guide.” STUDENT ART GUIDE, 30 Nov. 2018, www.studentartguide.com/articles/how-to-analyze-an-artwork.